PDF Ebook Respect Yourself: Stax Records and the Soul Explosion
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Respect Yourself: Stax Records and the Soul Explosion
PDF Ebook Respect Yourself: Stax Records and the Soul Explosion
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Product details
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Audible Audiobook
Listening Length: 17 hours and 54 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Audible Studios
Audible.com Release Date: May 13, 2014
Whispersync for Voice: Ready
Language: English, English
ASIN: B00KARTKAY
Amazon Best Sellers Rank:
I've seen bits and pieces of the Stax documentary, so downloading this book onto my Kindle was a must. One of the very best books I have ever read about the music business. Robert Gordon had some great interview sessions with the Stax management and session players. You're back in the 1960's with all the politics going on with Civil Rights and Southern racism. At Stax, white and black musicians and executives worked well together where the color of one's skin wasn't an issue. It was all about the music and the stories they tell about working with each other and making songs from simple ideas into major hits is educational and entertaining to the reader. The demise of Stax is sad, unfortunate, but perhaps unavoidable. Books such as this one could be used in history classes about the advent of popular music and soul music from the latter part of the 50's, through the tumultuous 60's, and into the mid 197-0's. Just a great, great, read.
Love Memophis music? Love R&B from the 60s? Stop what you are doing and buy this book! This book is the definitive history of Stax, the Memphis recording studio that made Issac Hayes, Otis Redding and others. It is truly fascinating and I couldn't recommend this book higher if you have interest in those subjects. From the early music to Rufus and Carla Thomas, to Steve Cropper, the Bar Kays, Booker T and the MGs, it's all here.But the highlight has to be the guitar player who came in with his chauffeur/gofer who begged to sing one song even after the band left. But once he started singing, WOW! They quickly reconvened and a SUPERSTAR WAS BORN! Read this to find out who it was.And how did Issac Hayes start and how did he become a singer and what was his relevance to the Stax history? And of course, the horrible plane crash that changed the face of music. Interested on the business side? Two buyouts, unread contracts that come back to harm you and other business stories are all here.If you are a music historian or love Memphis or R&B music, BUY AND READ! The first half of the book literally jumps off the page.
We passed on Graceland and went straight to the Stax Museum of American Soul Music. It was a moving and informative experience, and I came away with a naive, romantic notion of a happy place where hometown geniuses gathered in an atmosphere of of creative joy and color-blindness. After reading "Respect Yourself", I now know that it was that kind of a place, but that there was so much more to the story. Gordon presents an engaging tale of the place and the players, with a degree of detail that makes you think that he was there, making notes on everything that happened. The "rest of the story" is inspiring, depressing, disgusting, and ultimately forgiving. The achievements were crazy high and the failures tragically low. I found it a gripping read, and as others have noted, learned a lot about the music business. There are so many stories about how the hits happened. The one that stands out for me is how David Porter and Isaac Hayes came up with "Hold on, I'm Coming" - it's hysterical.
Respect Yourself gives a lot of insight into how an independent record company works: the business end as well as the creative process of its artists. It's a history of the rise and decline of Stax. It's also a history of the time period (late 50's-70s) of Memphis and about race relations. Within the confines of Stax there were no color barriers. Everyone worked together to create some of the greatest music ever recorded. I recommend this book to anyone who loves the long history and heritage of all of our great American music.
Gordon tells the remarkable story of the rise and fall of the venerable Stax label in a way that one suspects that only a Memphian like him can. From a tiny studio fronted by a record store to the fifth largest black-owned business in America, Stax produced a grittier, more "real" alternative to the pop-oriented African American music coming from Motown in the Sixties and early Seventies -- a veritable "soul explosion," as Gordon puts it. His tale is based on interviews with the label's owners, brother and sister Jim Stewart and Estelle "Miz Axton" Axton, its studio musicians (The MGs), producers, and administrative staff, and most of its star artists, such as Carla and Rufus Thomas, Isaac Hayes, William Bell, and Mavis Staples. The singer who put Stax squarely in the public's consciousness was, of course, Otis Redding, to whom devotes many touching, informative, and even funny pages.Gordon argues that Stax essentially grew faster than its leaders, namely Al Bell, could manage. Bell's vision of making Stax a major multimedia force drove the company to it heights, but his lack of control over the millions Stax made sank the enterprise even more quickly than it grew. Less than a decade after Redding's landmark performance at the Monterey Pop Festival, Stax had issued its last single and fell into bankruptcy, leaving in its wake the broken lives of dozens of employees as well as one hell of a musical legacy.
I really enjoyed this book. I mean black and white people getting together to make STAX! A great concept and a smart one, please the masses and you please yourself. This book talked a lot of History as well, I mean it's something that the kids need to know about today. They talked about real events of the day which really aren't all that different today. It's more covert however, the issues still exist and persist. I loved the photos, the people were beautiful, well dressed, talented and so much more. I will say that the book let me see the ugly side of entertainment as well. A great and worthwhile purchase!
Jim Stewart signed a contract without reading it. His sister Estelle was a genius. but Jim was not. He learned to love some of the black music, but thought he knew it all.Gordon is an excellent writer, but what a sad story of a man who built a ten thousand square foot house on fifty acres.
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